Career.

Archive

Exhibitions, publications and collaborations

Education

Education and training

• ELISAVA Barcelona · Art direction
• ITESO · Design and visual communication
• Workshop with Rubén Méndez · Art history
• Universidad Lux · History of Mexican art
• Center for Philosophical Studies · Aesthetics and philosophy of art
• Independent training · and professional practice

Featured exhibitions

Olio - Donate Your Hair

OLIO Expo was a group exhibition organized in collaboration with Grupo Natura, bringing together 36 artists to support environmental recovery after the British Petroleum oil spill in the Gulf of Mexico. As part of the initiative, artists were invited to donate human hair, a material with an extraordinary capacity to absorb hydrocarbons, which was then used to make booms and filters to support cleanup efforts in the affected areas.

More than an exhibition, OLIO Expo became a project where art and environmental action converged in the same space. Each participant contributed not only a work but also a tangible gesture of commitment to restoring the natural environment. The initiative sought to raise awareness of the ecological impact of human-made disasters and to show that creativity can go beyond aesthetics to become a tool for social and environmental change. Taking part in this project was an opportunity to reflect on the shared responsibility of artists, institutions, and society in protecting the environment.

Baetulona: 100 Years

HOW BAETULONA WAS BORN

They say a man with a new idea is a madman until the idea succeeds. And that, when it comes to decisions, the weak tremble, the foolish defy them, the wise weigh them, and the skillful lead them. When this project first began to take shape in our minds, the early opinions we received were somewhat pessimistic. Still, the context didn’t diminish us, the setbacks didn’t stop us, and the simple yet solid structure that supports us was never an obstacle.

Nearly two years of tireless, persistent work went by alongside experts in many fields, to whom we owe nothing but gratitude for taking part in this enormous challenge. It is impossible to overlook the work of the historians, who helped select and develop the most significant moments in the life of Badalona. Even more so, the fine hand of the artists: they translated the briefs into 100 singular pieces that confirm their place among the world’s design elite. The support of sponsors and renowned institutions was also decisive, a substantial part of the engine behind this process. Finally, our due thanks to those who gave the green light that made this dream possible.

Badalona, Barcelona, and even some Latin American countries now bear witness to this fruit of Mediterranean inspiration. The results speak for themselves and show that success comes not only from special talent but from perseverance, method, and organization.

Mi Muñeca

Mi Muñeca was a group exhibition devoted to rescuing and reinterpreting the tradition of the Mexican papier-mâché doll. The project brought together leading Guadalajara artists, who were invited to intervene each figure with graphic, pictorial, and sculptural resources, turning it into a unique work of art.

The show started from an object deeply tied to popular memory, craftsmanship, and Mexican identity, and carried it into the language of contemporary art. Each participant approached the doll from their own vision, adding symbols, colors, materials, characters, and personal narratives. In this way, a single traditional form became many creative expressions.

Rather than reproducing a craft object, Mi Muñeca sought to open a dialogue between tradition and experimentation, between collective memory and individual authorship. The exhibition recognized the cultural value of Mexican folk techniques while exploring their capacity for renewal through the intervention of contemporary artists.

The result was a diverse collection of pieces that kept the essence of the traditional doll while taking on new identities, meanings, and sculptural possibilities. The show invited reflection on the permanence of folk objects, their relationship to childhood and visual culture, and the way art can keep traditions alive by reinterpreting them.